Jan Vertonghen speelt zaterdag in Sarajevo zijn 96ste interland en evenaart daarmee het record van Jan Ceulemans. Dinsdag tegen Cyprus wordt hij wellicht de nieuwe recordinternational. Maar de Caje blijft met verre voorsprong de beste Rode Duivel uit de geschiedenis.
Een kanttekening om te beginnen. Als Jan Vertonghen straks Jan Ceulemans voorbijsteekt, is dat omdat de voetbalbond een beetje vals heeft gespeeld. Als het reglement strikt wordt gevolgd, verwerft de verdediger van Tottenham in Bosnië-Herzegovina pas zijn 93ste cap. Als je de teller op 96 zet, zitten er drie interlands bij die niet officieel erkend zijn door de Fifa. Twee keer werden er meer dan zes wissels doorgevoerd en één keer besliste de KBVB vooraf dat het geen officiële interland was. De bond hanteerde de volgende redenering voor het cijferwerk:
‘We baseren ons hiervoor op volgende criteria:
- Interlands tegen een andere door FIFA erkende federatie
- Wedstrijd geleid door FIFA-scheidsrechter
- Aanwezigheid van UEFA/FIFA delegate
- De wedstrijd was open voor het publiek en voor een live TV broadcast.
Het maximaal aantal vervangingen per ploeg (dat sinds 2004-2005 voor vriendschappelijke wedstrijden door FIFA op zes is bepaald) laten we hier bewust achterwege gezien FIFA-scheidsrechters pas sinds vorig seizoen een schorsing riskeren indien zijn wel meer dan 6 vervangingen per ploeg toestaan. Tot dan stond Fifa nog oogluikend meer dan zes vervangingen toe.’
De Fifa houdt geen statistieken bij wat aantal caps betreft, dat laat het over aan de nationale bonden. Behalve als het echt de spuigaten uitloopt, zoals vaak bij Afrikaanse bonden die A-caps en wedstrijden met de olympische ploeg optellen. Het blijft echter merkwaardig dat de KBVB de regels van de wereldvoetbalbond negeert en zelfs een match die het zelf vooraf als officieus uitriep alsnog meetelt. Wat overigens alle huidige internationals ten geode komt.
Hoe dan ook, het stond in de sterren geschreven dat het record van Jan Ceulemans eerstdaags zou sneuvelen. In de 21ste eeuw worden immers veel meer interlands afgewerkt dan in de jaren ’80 van de vorige eeuw. Jongens als Vertonghen, Hazard, De Bruyne en Courtois zullen ruim boven de honderd caps eindigen.
Tot nader order blijft Jan Ceulemans echter de grootste Rode Duivel aller tijden. Daar valt zelfs niet over te discussiëren. Het volstaat immers naar zijn palmares met de nationale ploeg te kijken. De Caje speelde de finale op het EK ’80 ( na een groep gewonnen te hebben met Engeland, Spanje en thuisland Italië) en de halve finale van het WK ’86 in Mexico. Bovendien greep ‘El Gran Capitan’ met zijn ploegmaats maar net naast een halve finaleplaats op het EK ’84, ondanks het feit dat de volledige defensie ontbrak vanwege de omkoopaffaire Waterschei-Standard. Op het WK ’90 lag de weg naar de kwartfinales open tot David Platt in de 119de minuut Michel Preud’homme klopte.
De Lierenaar behoorde op al die toernooien tot de absolute uitblinkers. Niet alleen wat de Rode Duivels betreft maar ook wat de andere teams betreft. Op het WK ’82 in Spanje sleepte hij tegen Hongarije met een unieke inspanning nagenoeg in zijn eentje de ploeg van Guy Thys naar de tweede ronde. Jan Vertonghen en co hebben nog flink wat te bewijzen vooraleer ze Jan Ceulemans echt passeren. Het Belgische voetbal kan alleen hopen dat de Caje straks niet meer de grootste Rode Duivel ooit is.
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Would a simple comparison station help visitors see how scarf colors affect a portrait? At an upcoming library portrait session, we hope to offer visitors a few scarves to try. I want the choice to feel playful, with no suggestion that one set of colors belongs to everyone. One idea is to compare softer and brighter scarves against the same background without changing the camera setup. I am unsure how to discuss the differences while respecting a visitor who simply likes a particular shade. Could we start by asking where the eye goes in each photograph, leaving seasonal names until later? A topic I would like to understand better is [url=https://bodytypes.top]personal color analysis[/url] though practical experience with a community activity would be more useful than another rigid list of rules. How would you frame the exercise so visitors leave with observations they can use rather than a fixed label?
For an upcoming amateur production, I have been asked to put together a character look using a wig and existing clothes. Most of the outfit is settled: a dark outer layer, a pale scarf, and very little room for other colorful accessories. We can borrow samples in warmer brown, cooler brown, and muted red, but we will eventually need to select just one. My search for a clearer vocabulary for warm and cool shades led me to a discussion reference about [url=https://hairstyle-guide.top]color analysis[/url] as a starting point for further reading. That gives me a topic to investigate, but I know a theatrical character can deliberately use colors outside an everyday wardrobe. Our rehearsal space has different lighting from the performance area, so I do not trust a decision made in that room alone. Would you compare the samples beside the actual costume under the planned lights, or start with a simpler daylight check first? A repeatable approach would help us explain the choice to the rest of the group and revise it if rehearsals reveal a problem.
After a morning bicycle ride, the shape I started with often disappears beneath the pressure of my commuting helmet. I am trying to choose a hairstyle that fits this routine without needing a full restyle in the office. Any reference I collect needs to make sense both with my hair loose and with it secured for the ride. I came across a page through a search for [url=https://style-my-hair.top]try on hair styles for free[/url] and would treat a preview as an outline to discuss. I would compare a few lengths in the same photograph, keeping the lighting and head position as consistent as possible. The preview cannot tell me whether a bun, clip or braid would interfere with the fit of my own helmet. At the appointment, I would show the stylist my helmet and describe the quick routine I can manage after commuting. A shorter option is worth considering, but I want to understand its upkeep before treating it as the practical answer. For other regular cyclists, what questions helped you choose a cut that worked with your helmet and everyday schedule?
Our family has accumulated several folders of song sketches. Some files came from a music generator, and their export history is unclear. My main concern is keeping the original version easy to identify. Any experimental processing would go into a separate folder with a short note. How do you name these copies so that the history stays understandable? I am also trying to understand the phrase [url=https://fixesuno.top]ai audio artifact removal[/url] in this context. That wording seems too broad to use as a guarantee about a particular recording. A note identifying the passage and the settings would be more useful. The archive will include a short explanation of where each demo came from, who supplied it, and whether the copy was exported again or changed after the original file was received. Suggestions for a practical version record would help me finish this archive.
Does anyone have a sensible workflow for preparing a generated track as a continuous exhibition loop? The main constraint is a smooth return from the end of the file to its beginning. It seems useful to list boundary issues separately from anything noticeable within the passage. I bookmarked [url=https://sunofixer.top]remove suno artifacts[/url] while gathering possible references for the second question. My first pass would identify possible loop points and check them over repeated playback. I also need to test the exhibition player, since its handling of repetition could affect the transition. Only after that would I decide whether an internal texture deserves a separate experiment. Any trial version would stay alongside the original so that the musical character remains easy to compare. The final check would use the actual speakers and the expected exhibition playback level. Which order of checks would you recommend for a reliable exhibition loop?
My first sewing projects will be simple tops, and I would like their colors to fit into a small wardrobe. The fabric shop sells generous lengths, so choosing poorly could leave me with material I cannot easily use elsewhere. Most of my existing trousers are charcoal or denim, but that still leaves a surprisingly wide range of possible top colors. My current sample pile includes cream, muted green, and burgundy, although none of those choices is final yet. As a reference for the questions behind these fabric choices, I saved [url=https://coloranalysisquiz.top]personal color analysis[/url] and would like to keep the exercise practical rather than chase a perfect seasonal label. Would making one inexpensive test top reveal more than comparing flat samples beside my face? I would welcome advice from anyone who has balanced a personal palette with the realities of learning to sew.
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My current animation is a brief loop built around small movements rather than dialogue. The generated music idea fits the mood, but a persistent bright texture keeps drawing my attention away from the movement. My options are a sound revision, a different music sketch, or more space between audible events. I found the term [url=https://repairsuno.top]suno shimmer[/url] but I have not identified what causes the texture in my clip. Do you start by listening against the picture, or listen separately and then check the visual timing? My aim is to preserve the clarity of the actions while keeping a coherent atmosphere. The loop will play on a small screen as well as headphones, so I can check both contexts. I would keep the comparison volume consistent and use the same section of animation. How would you test a few alternatives without letting repeated playback hide the original problem?
Our music workshop will include a listening exercise using several generated exports. I want the discussion to focus on sound rather than assumptions about software. I would label the excerpts with neutral letters and match their playback levels. The versions would share the same passage, avoiding differences in composition. A first listening pass could record when something distracts them, without explaining why. The group includes people with different listening experience, so technical vocabulary should be optional. I would collect individual notes before discussing them together, and let students replay the excerpt when they need to check whether their first impression holds up. I found a resource on [url=https://sunomusicfix.top]ai audio artifact removal[/url] that might inform an optional later comparison. It has not been tested for this exercise, so I cannot claim a benefit. An unchanged export should remain a valid preference within the exercise. Which simple criteria would encourage precise observations without steering the verdict?
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My old glasses need replacing, and I am trying to narrow the frame colors before visiting the optician again. The same frame comes in dark brown, clear grey, and muted red, with very similar measurements in each version. Most of my wardrobe is simple, which makes this feel like a more visible decision than buying another scarf. While reading about ways to compare those options, I found [url=https://seasonalcoloranalysis.top]personal color analysis[/url] and I am curious how people apply that sort of advice to something worn every day. Should the first comparison be fairly neutral, followed by another check with the clothes and makeup I usually wear? I will have someone with me for a second opinion, and I can spend a little time comparing in person. What signs would you look for when two colors both seem acceptable, and comfort is already equally good?
My next work task involves presenting several lessons on camera. All presenters will be filmed against the same teal wall. I can choose my clothes, but replacing the background is outside my part of the project. The practical choices in my wardrobe are cream, navy, and subdued red. Using something I already own would be my first choice. The room, microphone position, and lighting will stay the same throughout the course. I can make these comparison clips before the scheduled recording day, so there is time to adjust my choice without delaying anyone. I found a [url=https://colorpaletteanalysis.top]personal color analysis[/url] page while looking for language to describe the differences. I am unsure how much a personal palette tells me about this particular setup. Would recording the same short introduction in each shirt be a sensible test? A colleague could check whether each shirt remains distinct from the wall. How would you distinguish facial color balance from simple visibility against teal?
While cataloguing my wardrobe, I would like to distinguish useful observations from actual plans to change anything. There might be a place for an initial palette result, as long as it stays a working suggestion. Some favorite garments may sit outside the suggested palette and still be things I enjoy wearing. For understanding the terminology, I am considering a [url=https://mycolorseason.top]color analysis test[/url] while working out which observations would be useful to record alongside each garment. It would also help to distinguish something I noticed in person from an assumption based on a photograph, so future changes have a clear reason rather than just a different label. Does it help to store the provisional season separately from factual descriptions of the clothes? I would rather record actual color, condition, and frequency of wear than give each piece a pass or fail. How can I make this useful now while keeping any tentative palette conclusion easy to revise?
I am looking for a first levada walk in Madeira, but route length alone does not tell me whether it will be comfortable. I am fine with a steady half-day hike, yet narrow paths beside steep drops are a different matter for me. Some descriptions mention tunnels, and I am not sure how much light or headroom to expect. As a starting point I read [url=https://madeiratours.top]best levada walks in madeira[/url] but I would rather choose by conditions than by a ranking. After a wet evening, I assume a route can feel quite different from its photos. Where would you check whether a path is open and decide whether to postpone instead of pressing on? Getting back is another concern, because I will not have a car and would prefer not to rely on an uncertain pickup. I would appreciate a beginner-friendly route idea, plus any warning signs that would make you choose a different day or trail. A shorter alternative would be fine if the weather turns.
I am trying to make a small secondhand work wardrobe feel coherent without replacing everything. Secondhand shops supply most of my work wardrobe, which means color choices depend heavily on what fits. I am hoping to connect what I own before adding more isolated bargains to an already crowded rail. The reliable pieces are a charcoal jacket and a pair of cream shirts that I wear most weeks. My next purchase will probably be a knit layer, but I cannot compare every possible shade in person. Would you compare candidate colors with those existing clothes first, or start with how each looks near your face? I have started looking into [url=https://bodytypes.top]personal color analysis[/url] but I do not want a seasonal category to become a reason to discard clothes that already work. What small comparison would you repeat in a shop, and what notes would make the next visit easier?
I inherited a patterned scarf with a damaged border, and I would like to repair it so I can wear it again. I would rather test carefully than unpick stitches from fragile fabric later. Most of the fabric is usable, although the narrow outside border has lost its color. My local shop has a muted green ribbon and a much warmer brown ribbon. Neither is an exact match, so the repair will inevitably introduce a new color. I started looking into [url=https://hairdye.top]color analysis[/url] since the new edging would frame my face whenever I wear the scarf loosely. Testing the two trims with pins should be possible without cutting the scarf itself. Keeping the original feel is important, although I hope to use it regularly afterward. Would you prioritize matching the remaining fabric or comparing each trim against the wearer?
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